Abstract Psychofigurism describes a mode of painting and drawing that merges abstraction with psychological figuration. It considers the self as a mutable form — where gesture, distortion, and emotion overlap. Each work operates between internal narrative and external image, reflecting on how identity and perception fracture in contemporary culture.

Server extends the language of Abstract Psychofigurism into the post-digital. Produced as inkjet paintings on canvas, the works revisit the mechanical portraits of Francis Picabia through today’s filtered, data-driven gaze. Each image behaves as both mask and mirror — where the human merges with the algorithmic, and authorship becomes distributed across systems.

Publishing functions as both archive and extension — a way to materialize thought beyond the studio. Through The Academy of Realness and The New Rare, books, zines, and experimental texts serve as parallel works, offering another site for collaboration and conceptual translation.

The studio is based in Bow, East London, and functions as a hybrid workspace — part laboratory, part archive. It is a place for experimentation, writing, and production, open to dialogue with institutions, curators, and other artists.

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