Attention Collectors | Facie an Upcoming Group Show in Chelsea

  Untitled (Dig A Hole Fill A Hole)  n.d. (1981,1986,1967)  Gesso, Acrylic paint, Acrylic ink, color pencil, and pens on recycled paper  13.5 x 10.25 inches framed   . "A life turned upside down by tumultuous times, transient relationships and tolls taken"

Untitled (Dig A Hole Fill A Hole) n.d. (1981,1986,1967)

Gesso, Acrylic paint, Acrylic ink, color pencil, and pens on recycled paper

13.5 x 10.25 inches framed 

."A life turned upside down by tumultuous times, transient relationships and tolls taken"

I'm in the following anti-selfie group show that opens on Thursday November 17th. It will be up until December 27th at Gallerie Protégé in Chelsea

  Facie : Self-Portraiture Interpreted by 25 Artists

The 'selfie' is one of the more ubiquitous aspects of social media, which is, after all, the 'society' that is easiest to access. A 'selfie' is often used to sex-up one's image, prove you 'were there', record time with friends or simply serve as your' current,' posed self-portrait. 
For this exhibition, we try to change the narrative - maybe even move it back a bit to a time and place where the self-portrait said much more than 'Here's me - do you see me, see what's going on behind me!?' No, a true self-portrait reveals something of the soul of the subject - something that moves beyond a visible resemblance to an emotional, culturall or intellectual expression of the individual. 
The term 'facie' comes from a recent conversation I had with my wife Diane, who often finds the wrong/right word for things. She meant 'selfie' but by saying 'facie' she suggests thought and expression is as vital as identity or representation. Ow· face is how we convey our emotions, how we reveal ow- mood or show ow- age and hopefully our wisdom. It's where communication usually begins and so often ends with a memory that is as elastic as the flesh that facilitates human interaction. 
As is sometimes the case, this exhibition began with one thought inspired by one work of art: a self-portrait by Jean-Claude Rovira. Rovira's  L'Atelier Chez Moi (My Workshop) (2009) and the other 24 works in the exhibition reveal the breadth and depth of the artists who strug­gle in the solitude of the studio to project the unedited self.

                                                                                                           D. Dominick Lombardi, Curator

 

 

Link to Catalog:

http://media.icompendium.com/ddlombar_Facie-Catalog-V4.pdf